Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Sc...(展开全部)

B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her ground-breaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire genera--t...(展开全部)

In recent years, environmental and human rights advocates have suggested that we have entered the first new geological epoch since the end of the ice age: the Anthropocene. In this new epoch, humans have come to reshape unwittingly both the climate and natural world; humankind has caused mass extinctions of plant and animal species, polluted the oceans, and irreversibly altered...(展开全部)

彼得·考伊，早在1990年在剑桥大学期间就开始撰写影评，自那以来，已经出版了20多本书，包括对伯格曼，威尔斯和科波拉的评传。1963年，他创立了《国际电影指南》年鉴，至今已主编了40余年。他还为标准影集（Criterion Collection）公司出品的好几部经典影片的DVD光盘写了影评。

彼得·考伊，早在1990年在剑桥大学期间就开始撰写影评，自那以来，已经出版了20多本书，包括对伯格曼，威尔斯和科波拉的评传。1963年，他创立了《国际电影指南》年鉴，至今已主编了40余年。他还为标准影集（Criterion Collection）公司出品的好几部经典影片的DVD光盘写了影评。

Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, the mainland, and beyond. The book delineates and conceptualizes their cinematic and trans-media practices within an evolving, multifaceted feminist intimate-public commons. The films by these experienced and emer...(展开全部)

Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, the mainland, and beyond. The book delineates and conceptualizes their cinematic and trans-media practices within an evolving, multifaceted feminist intimate-public commons. The films by these experienced and emer...(展开全部)

"The Geopolitical Aesthetic is a dazzling... distillation and application of the theoretical system he first presented in The Political Unconscious (1981)." The San Francisco Bay Guardian Taking contemporary films from the United States, Russia, Taiwan, France, and the Philippines, The Geopolitical Aesthetic offers a reading of some of the most interesting films of the last dec...(展开全部)

"The Geopolitical Aesthetic is a dazzling... distillation and application of the theoretical system he first presented in The Political Unconscious (1981)." The San Francisco Bay Guardian Taking contemporary films from the United States, Russia, Taiwan, France, and the Philippines, The Geopolitical Aesthetic offers a reading of some of the most interesting films of the last dec...(展开全部)

How can a voice whose source is never seen--such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho--have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras deploy the power of the voice? In this brillia...(展开全部)